a sunrise the colour of clementines becomes the whole world. time sits on the tip of the moor and i want to hold it inside myself for a little longer. the wood cradles our faces until a story thumps out of a hare and into my body. the words clear and bright peel open in me as a rose. under the soil bound sun we become more human. Jai Michelle Louissen
june arrives in tiny new ponies. lemon trees blossoming like stars. apples fleshing on the branch. the roses are here too, thousands of them dream their scent through my window from our garden. on monday i made a jam with their petals and wild strawberries faithful to cottagecore stylings. turning myself into something sweet and slow to alchemise the sour of the news. i recognise the privilege i have to be able to do so, to access the natural world and comprehend the safety there. and the roses transfigured the strawberry nectar into a puce heady delight.
natures opera has been in full performance here at the winged moon. our new submission window, BIOPHILIA is still open and i have been reading your writing, easing myself in before the final submergence next month. on thursday our uncovering biophilia series concludes and i have read some remarkable books in preparation. The Overstory by Richard Powers enchanted me as did The Body is a Doorway by Sophie Strand. and the poetry too, hundreds of naturesleek words that are the spine of the workshops. we will make the recordings available to purchase if you missed us.
this week we are placing ourselves in earthen hinterlands with writing inspired by our prior theme and dipping its toe into the new. these words written by Julie Allyn Johnson and Emily Tee run with colour inviting the reader to pause in their poetry of place and belonging. these sandwich the remarkable and moving collage work of Jenny Lloyd from her flowers of palestine series.
LITTLE CROOKED CREEK Julie Allyn Johnson this white cleanliness sheathed in clover streaks like a 747 on an icy runway bound for France, its aura at once sacrosanct red and royal purple— a desiccated egg yolk, gaunt & rubbery no secret handshake, just meadows & birdsong all is not madness are there not still small delights? ragged bodies made whole now supine, enveloped in the arms of magnificent women smothered in elderberry, intoxicated with a violent starlight
THE GREEN MYTH OF ME IS BUILT ON GRANITE Emily Tee Picture me as a landscape, green strata over deep brown earth that's rich with peat, the colour of seeped tannins steeped in rainwater that has become a rich broth, a fragrant tea puddling, overflowing, spilling into pools and loughs that become the earth's bright grey eyes reflecting low lidded skies, sun and clouds journey across them mapping my existence. The land of my birth has always forged steadfast folk, able to withstand and keep on withstanding with solid granite hearts - not hardened, but steady as rock. Above, there's the layers of life and movement - a ripple of grasses, wildflowers, rushes, reeds that rustle in the wind, that whisper spring's arrival on water meadow edges, sing summer's songs, sigh autumn laments, chant winter prayers. Whether it's along mountain trails or across sandy dunes the same spirit moves, cutting to the centre, the core. Willows bend without breaking, and the spines of woodlands are braced by ancient bog oak and blackthorn boughs. My land's a canvas carved from rock by weather and water, green foliage the paint, markings made by fish, fowl and beast. The tellers of stories and myths here must weave their tales where humans and gods take animal forms to shape the stories of love, war, tragedy and truth. My own telling is never the same twice, layers of meaning peeling back and back, getting to bedrock, the true granite heart of me. originally published in Lothlorian Poetry Journal, 21 March
we hope you enjoyed this weeks colourful offerings, I will be writing again to our paid subscribers within the next days to share our monthly curated submission list. if you’d like to subscribe, to receive that and join our write along and book club, there is more than enough space for everyone.
until next time
Jai Michelle Louisssen
Founder & EIC
Julie Allyn Johnson is a sawyer's daughter from the American Midwest whose current obsession is tackling the rough and tumble sport of quilting and the accumulation of fabric. A Pushcart Prize and Best of the Net nominee, her poetry can be found in Star*Line, Coffin Bell, Haikuniverse and other journals. Emily Tee, originally from Northern Ireland, lives in the UK Midlands. She writes about nature, the environment and society. She's had poems published in print by Dreich, Poetry Scotland, Free Verse Revolution, several anthologies by The Wee Sparrow Poetry Press, the 'Ancient' edition of The Winged Moon and other places online including Green Ink Press. Jenny Lloyd is an artist and designer based in beautiful Amsterdam, where I make handcrafted and digital collage illustrations for magazines, album art, book covers, zines, and other custom pieces and commissions. I love to combine vintage and modern ephemera to create mysterious, escapist worlds, where new stories and fresh feelings emerge to be explored, and each piece has a spirit of its own.
Little Crooked creek begins with a stunning opening that lets us, the readers, take fight and journey into a world of color and texture --
this white cleanliness
sheathed in clover
streaks like a 747
on an icy runway
as the poem progresses, we submerge ourselves in something beyond "meadow "and "birdsong" the sensuous perfume of women smelling of elderberry and framed by
"violet starlight". I also think , at least for me, these wonderful females may be more than human -- perhaps the presence of trees guarding this field and hugging those who have been lost and weary. Overhead, the cosmic light adds a divine and healing quality.
all is not madness
are there not
still small delights?
ragged bodies made whole
now supine,
enveloped in the arms
of magnificent women
smothered in elderberry,
and violet starlight
The Green Myth Of Me built on Granite connects the mind/body to the earth in a beautifully descriptive and sensory way. The opening stanza is intoxicating with its
details and stir of ingredients that create this "fragrant tea".
Picture me as a landscape, green strata over deep brown earth
that's rich with peat, the colour of seeped tannins
steeped in rainwater that has become a rich broth, a fragrant tea
The poem becomes more intense as the speaker describes how the land has forged
the strength and prevalence of her people
The land of my birth has always forged steadfast folk,
able to withstand and keep on withstanding
with solid granite hearts - not hardened, but steady as rock.
Above, there's the layers of life and movement - a ripple of grasses,
wildflowers, rushes, reeds that rustle in the wind,
And I love the idea of " solid granite hearts" being those of constancy and
endurance while still allowing for breath to invigorate growth and bloom
that passes from one generation to the next. A language of life that ripples
through the plants and is carried by the wind. -- understood by those who
listen and pay attention to the landscape and its unfolding beauty.
Overall, a collection of stanzas that unify and prompt one to perceive how "stone" and "green" are symbiotic when creating the soul of both human and earth. An interconnecedtness we all ( at one time or another)" strive to feel and comprehend.
Thank you For sharing such beautiful and evocative poetry. I so much enjoyed these.
My best
Wendy Howe
I greatly love and admire the collaged work of Jenny Lloyd. Her imaginative melding of pictures haunt me with both beauty and depth that linger long after studying her art . This exceptional work, frpm her ,"Flowers of Palestine series" is very dear to me as I grieve for and empathize with the plight of Gazans now and in the many instances that became before. Despite the horror of constant bombing, the uprooting of homes and families, flowers still bloom somewhere among the rubble, the smoke and chaos. And the children, are also the flowers of this torn nation. I look at this work again and again and think back to former cease fires when for a few brief hours or days, mothers/women had a fragile chance to breathe, to cook meals for their children and reflect on precious things while knowing destruction and danger could enter at any time. And I ask how does one survive knowing the momentary bloom of peace is l wilting in the midst of oppression and persecution? Maybe, it's just about "being in the moment", dreaming of nothing but staying alive and hugging that moment along with your sons and daughters, your family. Thank you for posting this incredible image and what it inspired for me. Let us hope and pray there will be a lasting cease fire soon.
During The Cease Fire
A girl stands on the roof
feeding pigeons. Swabs of bread
litter the cement. The bird's bubbling song
brings comfort like the verse of a nursery rhyme
Downstairs, her white-veiled mother
is cooking stew. Embalmed in the scent
of garlic, lemon and mint, she feels
they are still in a safe section
of the city. Wind riles the curtains
where trees mirage their presence
in shadow. She remembers a hillside
terraced in stone with high grass
and olive branches looming on each ledge;
the air soaked in light and sea.
An ancient place where she walked
lost in a labyrinthine of time
and thought, an incentive
that would give her daughter a name
Rawdha meaning blooming garden..
Crowds chant loudly in the distance.
She drops her spoon and leaves
to retrieve her child wondering
if they will stay safe,
taste the evening meal and fall asleep
on bed linens taken
clean from their own closet.